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Author Topic: In Art does politics matter?
WingNut
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posted 23 September 2002 02:25 PM      Profile for WingNut   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
I don't know if this belongs in the feminism forum but there is a link that becomes clear.

My signifigant other (SO) and myself attended an art show this weekend. The artist was sculptor, most iron, and quite talented. He had pieces ranging from the mundane to the bizzare and everything in between. But one piece, in particular, got our attention. A hand, covered in the sleeve of what was obviously a business suit and white shirt, held up a steel boot with spur and wrapped with what appeared to be chicken wire.

Just from looking we both had very different interpretations. When we discussed it, I had sort of liked it. What I saw was the hand of the business community supporting the steel boot of war.

But my SO didn't like it all. She saw the boot as feminine due to, I think, the spiked heel. And she thought it was a representation of a fetish and only thought to herself: "get over it."

As it turned out, we were both wrong. The boot was feminine but the artist created the boot to represent feminism crushing masculinity (represented by the arm and hand).

When we talked about it later we thought it interesting that we had such different interpretations of the work which was very different from what the artist intended. I know this is not unusual. But what was striking, to us anyway, is that the interpretations we had seemed to flow from our different political orientations. I thought, prior to this, that interpretation of art would more likely come from cultural, as opposed to political, perspectives (recognizing the politics is part cultural).

What do you think?


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'lance
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posted 23 September 2002 03:10 PM      Profile for 'lance     Send New Private Message      Edit/Delete Post  Reply With Quote 
I think, as you say, that the distinction between politics and culture isn't always so clear. But I also think that this kind of "politics..."

quote:
The boot was feminine but the artist created the boot to represent feminism crushing masculinity (represented by the arm and hand).

... is just ludicrous. Masculinity, whatever exactly it is, would have to be a frail reed indeed, to be "crushed" by feminism.


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ronb
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posted 23 September 2002 03:29 PM      Profile for ronb     Send New Private Message      Edit/Delete Post  Reply With Quote 
What was the quote about "messages" in art and telegrams? Seems desperately relevant here.
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WingNut
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posted 23 September 2002 03:31 PM      Profile for WingNut   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
No argument from me, 'lance. We discussed that too. I thought it strange that men can be so hostile to feminism and that much of that hostility is really a fear that men are losing power. But what power? As an average Joe I have no more or less power than your average Jane. And in fact, men, for the most part ought to be supportive of feminist goals. How can it hurt my family if my wife earns as much as I do for performing the same work? Or how does it hurt me if my wife can earn more by training as a mechanic?

So here is an artist, his biggest and most important client a female interior designer (who organized his first and only showing), whose most importnat clients, in turn, are probably professional couples who, if the wife was not also a well paid professional, could afford neither the designer nor the art. It is quite ironic if you think about it.

[ September 23, 2002: Message edited by: WingNut ]


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nonsuch
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posted 23 September 2002 03:34 PM      Profile for nonsuch     Send New Private Message      Edit/Delete Post  Reply With Quote 
If the artist feels that way, then that's what he makes*. Ideas far more ludicrous have become works of art. And, of course, we not only don't have like tham, but are free to interpret them in a thousand other ways.

Does politics matter? Sometimes it matters a lot. Often, not at all. I prefer content - political, emotional, intellectual, social; something - but it certainly isn't a requirement.

*edited to add: If he's biting the hand that feeds him, i'm pretty sure that hand is able to defend itself.

[ September 23, 2002: Message edited by: nonesuch ]


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WingNut
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posted 23 September 2002 03:53 PM      Profile for WingNut   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
But you see, nonesuch, he is very talented. The piece stood out and resonated in different ways with both of us. Only when the woman organizing the show told us what he meant with it, did we suddenly find it disturbing. If it were not so well done, if it were no so strong a work of art, we probably would have shrugged and moved on. But it wasn't something you could just walk away from. Which is probably why I'm still thinking about it today. Antifeminism can be found anywhere. Stated so profoundly in a work of art is rare and, again, somewhat disturbing.
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ronb
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posted 23 September 2002 03:53 PM      Profile for ronb     Send New Private Message      Edit/Delete Post  Reply With Quote 
Really, we're at a grade school level here - "this crying dove in flight represents my fragile hope for world peace" - IMO the best visual art, political subtext or no, starts with an artist's ability to confront his/her own self first. This dude needs to admit to himself that he gets off on depictions of violent female dominance, deal with it and move on before he can make any strides as an artist.
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WingNut
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posted 23 September 2002 03:58 PM      Profile for WingNut   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
Read my previous post Ronb. The guy was quite good and his work was far more sophisticated than grade school art. He had another piece that was mesmerizing. He called it the universe. It was a peice that presented the universe as a die that actually rolled. It was well constructed and featured a working telescope. The base was very similar to the types of devices sailors once used to plot their course. It was way beyond our price range but if we could have afforded it I am sure it would have followed us home.
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Michelle
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posted 23 September 2002 05:45 PM      Profile for Michelle   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
WingNut, we may not like what he was saying with that piece, but we do know that the sentiment exists all over the place. Do we know for sure that the artist agrees with the sentiment or is he simply making a representation of that sentiment? Maybe he has heard this fear from so many men that he was inspired to portray it artistically.
From: I've got a fever, and the only prescription is more cowbell. | Registered: May 2001  |  IP: Logged
ronb
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posted 23 September 2002 06:30 PM      Profile for ronb     Send New Private Message      Edit/Delete Post  Reply With Quote 
Okay, high school then. You're not really making a great case for this guy. "The universe is like a pair of dice" sounds equally tedious to me, no matter how sophisticated the technique. Perhaps there is some insight or subtext enclosed in the work that we're not getting from your description, but aside from your praise, these sound like pretty clumsy visual allegories without real insight. I haven't seen the work, so... well, it doesn't stop me from shooting my mouth off, does it?

It occurs to me that perhaps the curator misspoke and meant to say femininity rather than feminism, which would at least take the ridiculous political aspect away. But if he does intend his piece as a political statement, I suspect that HE hates and fears women because HE feels oppressed by them, and is hiding from himself behind some bullshit abstract notion that ALL men are oppressed by women. Again, if he could use his technical ability to confront a his own fears, then perhaps your SO would have responded positively to his effort as well, finding some artistic merit in the artist's honest misogyny. "Fetish" sounds bang on to me. Chickenshit too. But, again, this is all sight unseen.


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Michelle
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posted 23 September 2002 06:32 PM      Profile for Michelle   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
What is the artist's name, WingNut? Maybe we can find him on the internet?
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WingNut
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posted 23 September 2002 07:10 PM      Profile for WingNut   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
quote:
Okay, high school then

Most art is of the everyday and mundane.
Dali's watch for example. Or Edvard Munch's The Scream. What sets it apart from any other watch, say, is how it is presented. I see no value in debating the merit or quality of the work with you. To determine its value as a work of art, "sight unseen," is in my mind quite high school.

I don't know his name Michelle. But I do have a card. I will look,


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DrConway
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posted 23 September 2002 08:52 PM      Profile for DrConway     Send New Private Message      Edit/Delete Post  Reply With Quote 
May I ask why ronb feels that ronb knows more about the artist than the artist does about himself?

Armchair psychoanalysis has never sat well with me.


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ronb
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posted 24 September 2002 06:20 PM      Profile for ronb     Send New Private Message      Edit/Delete Post  Reply With Quote 
Then you've definitely stumbled into the wrong thread, professor.
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nonsuch
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posted 24 September 2002 10:20 PM      Profile for nonsuch     Send New Private Message      Edit/Delete Post  Reply With Quote 
What difference does it make?
A talented and skilled artist (never mind that - even a clumsy one!) is going to produce work that pleases some people, pisses off some people and leaves some people cold.
If you didn't find at least one of his pieces disturbing, he was wasting his time.

By all means, find fault; argue over it; get mad; punch him in the nose - if he's any good, he'd far prefer that to being ignored.

Really. It's okay for artists to express politically incorrect, unpopular, ridiculous, even totally wrong ideas and emotions. Their function is to disturb people, to shake people out of a comfortable state of mind - if only for a minute. Their function (whether they confront their personal demons is none of our business) is to put us in touch with our own demons. Then we go home (with or without the piece in question) and continue to work on whatever we have to work on. The minute we start a on new, unaccustomed, train of thought, the artist's job is done.

[ October 01, 2002: Message edited by: nonesuch ]


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WingNut
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posted 24 September 2002 10:42 PM      Profile for WingNut   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
But you are missing the question which was:

I thought, prior to this, that interpretation of art would more likely come from cultural, as opposed to political, perspectives (recognizing the politics is part cultural).

What do you think?


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Michelle
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posted 24 September 2002 10:44 PM      Profile for Michelle   Author's Homepage     Send New Private Message      Edit/Delete Post  Reply With Quote 
I don't know that it's ever even occurred to me that art does not have a political dimension, WingNut. I always just kind of assumed that politics was a huge part of a lot of artists' work.
From: I've got a fever, and the only prescription is more cowbell. | Registered: May 2001  |  IP: Logged

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